In this episode we're looking at Impostor Syndrome, the conviction that you've been faking it and are always just inches away from being unmasked. We have a theory about where it came from (hint: it was the '70s), and some thoughts about how it can be turned to creative people's advantage. Plus: Penn & Teller, non-apology apologies, fresh batteries, a ridiculous excess of materials, and the Moscow Philharmonic. (Or were they?)
There are a million possible ways to start a new creative project, but they can all be reduced to one: Just start. In the...
Is it frivolous to do creative work when the world seems to be falling apart around you? Or can it be a palliative --...
Style is the beautiful face we put on what we do. It goes hand in hand with technique, but the way they inflect each...
